
THE HOUSE OF EVERYONE
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WE ARE
Chasen Thajni is a collective entity founded in 2019 by the artist Ulises Matamoros Ascención, in collaboration with members of the Ngiba Indigenous community. It was born as an open community space, built through an intervention in the central plaza of Ahuatempan. For three years, this space became the epicenter of multiple activities: meetings, talks, assemblies, Ngiba testimonial sessions, Ngiba language classes, and other dynamics that strengthened the cultural presence of the community. Most of these activities, conducted in the Ngiba language, were broadcast in real-time through an old loudspeaker installed at the Museo de Arte Carrillo Gil (CDMX) and later at the Museo de la Ciudad de Querétaro and other venues across the country.
Over time, the project has evolved into a popular committee spread across various regions of the Ngiba area, expanding its scope of action and consolidating itself as a living network of work, support, and resistance. From being a localized physical space, Chasen Thajni has transformed into a dispersed space, sustained by the community and materialized in multiple venues and ephemeral or temporary sites.
WE ARE A NGIBA SPACE
WE ARE
COMMUNITY ACTION PROGRAMS
PEC
EXHIBITION
Organizes, commissions and makes exhibitions, and/or artistic and cultural presentations, in various spaces of the town of Santa Inés Ahuatempan.
PP
PEDAGOGICAL
Commissions transdisciplinary working groups composed of local people who in turn seek external support to carry out "community action programs" that, under specific critical-discursive axes, program and carry out workshops ,talks, conferences and new pedagogical modalities.
PEd
PROGRAMA EDITORIAL
The editorial programme draws on all the "Community Action" programmes and uses their results to produce editorial publications, which are distributed mainly to the community.
PIAT
ARTISTIC AND TRANSDISCIPLINARY ACTION
Transdisciplinary and artistic research program: commissions transdisciplinary working groups composed of local people who in turn seek external support to work on "community action programs" that, under specific critical-discursive axes, carrying out research, actions and artistic production in a specific place with direct support from the community: at the end of each work, the results obtained form an object and non-object "memory sediment". These memory sediments will be reviewed to attach to Chasen Thajni’s archive, or give them a place in the permanent collection of our "community museum" project.